The presentify discount code7/15/2023
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Susan egan7/15/2023 ![]() She currently resides in Nashville, Tennessee. Įgan provided Angel's singing voice in Lady and the Tramp II: Scamp's Adventure and the voice acting for Rose Quartz on the Cartoon Network animated series Steven Universe along with various other characters.Įgan is married to Robert Hartmann and has two daughters, Nina (born February 6, 2007) and Isla (born December 15, 2009). She is most widely known for voicing Megara in the 1997 film Hercules and reprised her role in both Kingdom Hearts II and Kingdom Hearts III. Voice acting Įgan's voice has been featured in the English language versions of two feature films by Hayao Miyazaki, Spirited Away and Porco Rosso. On television, Egan is known for her co-starring role as Nikki Cox's best friend in Nikki. From July 20–29, 2018, Egan reprised the role of Belle in the 5-Star Theatre's production of Beauty and the Beast at the Thousand Oaks Civic Arts Plaza. The June 6 performance also included the original Little Mermaid voice actress Jodi Benson performing with the rest of the "Live" cast. Egan performed a medley of songs from Beauty and the Beast. On June 6, 2016, Egan appeared alongside Brad Kane at the Hollywood Bowl as opening acts for Disney's "The Little Mermaid Live" show. įrom 2002 to 2003, she was the interim artistic director of the Orange County High School of the Arts. She sings with symphonies, as well she performed in concert at the Walt Disney Concert Hall with the Gay Men's Chorus of Los Angeles in November 2004. In August 2001, Egan appeared at the Hollywood Bowl in the concert version of Show Boat as Julie. Įgan has performed in one-woman, cabaret-style concerts at the Orange County Performing Arts Center in 2000 and at the Carpenter Performing Arts Center in October 2001. Egan joined Thoroughly Modern Millie in February 2004 as Millie. At the Sacramento Music Circus, she portrayed Maria in The Sound of Music in 1996 and Molly Brown in The Unsinkable Molly Brown in 2002. On Broadway, Egan portrayed Belle for one year and reprised the role in the Los Angeles production in 1995, along with many of the original Broadway cast members. After the tour ended, she was cast in the tour of State Fair and won the coveted role of Belle in the original Broadway cast of Beauty and the Beast, for which she was nominated for the Tony Award and the Drama Desk Award, Outstanding Actress in a Musical. While attending UCLA, Egan took time off when Tommy Tune cast her as Kim in his touring production of Bye Bye Birdie. While attending Los Alamitos High School, the Orange County High School of the Arts, and UCLA, she started her career touring with the performance group the Young Americans. Having long desired to become a performer, Egan spent most of her time taking dancing, concentrating on ballet, and singing lessons as a child, and trained as a competitive figure skater from ages five to ten. She is also a credited alumna of the Young Americans College.Ĭareer Stage and other work She attended Los Alamitos High School and the co-located Orange County High School of the Arts and UCLA. ![]() She is best known for originating the role of Belle in the Broadway musical adaptation of Beauty and the Beast (1994), as well as for providing the voices of Megara in Hercules (1997), Madame Gina in Porco Rosso (2005), Rose Quartz/Pink Diamond in Steven Universe, and Lin in Spirited Away.Įgan was born in Seal Beach, California on February 18, 1970. Susan Farrell Egan (born February 18, 1970) is an American actress, singer and dancer, known for her work on the Broadway stage. Adobe robohelp 20177/15/2023 ![]() When viewing the output on a mobile device, the Favorites panel in indigo layout does not hide even after the bookmarked topic is opened.Overlapping TOC entries noticed in output generated using Indigo layout.In responsive HTML5 output, when the TOC is expanded beyond a limit, the items in TOC get overlapped.While linking or importing a Word document that contains numbers at the end of its TOC entries, such TOC entries fail to import correctly in RoboHelp.While generating output from a Japanese document, some cross-references do not work.Also, check out the following tutorials to dive right in and get started: What is RoboHelp: Ro boHelp 2015 Essential Training.įor a complete overview of the Adobe RoboHelp analytics, check out RoboHelp Server: An Introduction. If you are using RoboHelp 2015, click here to watch the Ribbon UI Video video, where you can learn about the User Interface and how to personalize and share content. If you have a 64-bit CPU and operating system, you can go here to download a trial version of RoboHelp 2019. To get started, click here to compare the different versions available, such as the 2015 release or the 2017 release, and their system requirements. This results in a better user experience and increased customer loyalty. Customers feel empowered to use your products, and can easily stay abreast of any compliance changes or technical enhancements. Employees can stay better informed, leading to enhanced collaboration and productivity. You can toggle back and forth if needed, and you can create style sheets as well.Īnd then… SHAZAM!!! Just like that, your project is live! Employees and customers now have access to view your instructional content.Īll documentation is up to date. ![]() ![]() There is a Design tab, so you can work from there, and the HTML code will automatically generate. You have access to a tool ribbon for simple WYSIWYG functionality, similarly to using Microsoft Word. There is a learning curve, as with learning any new tool, but it doesn’t take long to develop familiarity and dive right into your first project. Getting started is simple, because the interface is very user friendly. Types of analytics data available to you, as the content author, include the following: This can increase profit margins, as well as reduce operational costs, saving your employees time and money that would be otherwise spent answering questions to educate consumers via emails or help desk calls. By leveraging this data to identify and fill any content gaps, you can better meet the needs of your customers, employees, and any other key stakeholders - keeping them informed. The analytics accessible via the Reports tab of the RoboHelp Server application provide both quantitative and qualitative data. This makes for a much better user experience. You can structure your content around the analytics data in a way that will empower your end-users, helping them to quickly search for and find this information. With an employee or customer knowledge base, complex information is readily accessible with just a few clicks. It could even be integrated into your intranet platform. Or it could be part of any cloud-based application. Your knowledge base could be part of your company website that customers visit to learn how to use a product manufactured by your company. This taxonomy makes it easy for employees, or end users, to quickly find the exact information they need. employee knowledge base).Īs you can see, it has a topic-based structure with folders, sub-folders, and topics within each folder. So they can click a Help icon or link embedded within the application, which will take them to this Help Center (i.e. As they complete their work, accessing or filling in the data they need using that application, they might get stuck along the way, or have a question about software functionality. Above is an example of a knowledge base I created using Robohelp, to support end users with a database application.Įmployees access the application using a secure online portal. One way to create a knowledge base is by using a tool like Adobe RoboHelp. A.t.o.m. 2277/15/2023 ![]() Frontiers of Propulsion Science covers that project as well as other related work, so as to provide managers, scientists, engineers, and graduate students with enough starting material that they can comprehend the status of this research and decide if and how to pursue it in more depth themselves. 227 english dubbed how to#įive major sections are included in the book: "Understanding the Problem" lays the groundwork for the technical details to follow "Propulsion Without Rockets" discusses space drives and gravity control, both in general terms and with specific examples "Faster-Than-Light Travel" starts with a review of the known relativistic limits, followed by the faster-than-light implications from both general relativity and quantum physics "Energy Considerations" deals with spacecraft power systems and summarizes the limits of technology based on accrued science and "From This Point Forward" offers suggestions for how to manage and conduct research on such visionary topics. Data and information appearing in this book are for informational purposes only. 227 english dubbed free#ĪIAA and the author are not responsible for any injury or damage resulting from use or reliance, nor do AIAA and the author warrant that use or reliance will be free from privately owned rights.Įdited by Marc G. ![]() Davis Institute for Advanced Studies at Austin Austin, Texas Millis NASA Glenn Research Center Cleveland, Ohio Eric W. Lu, Editor-in-Chief University of Texas at Arlington Arlington, Texas Volume 227 PROGRESS IN ASTRONAUTICS AND AERONAUTICS Frank K. Published by the American Institute of Aeronautics and Astronautics, Inc. ![]() 1801 Alexander Bell Drive, Reston, Virginia 20191-4344Īmerican Institute of Aeronautics and Astronautics, Inc., Reston, Virginia 1Ĭopyright # 2009 by the American Institute of Aeronautics and Astronautics, Inc. Twitter path of exile7/14/2023 ![]() election had a small negative impact on global user growth, it said.Īd revenue was $1.15 billion, up 31% from the same period a year ago and beating analyst estimates. Some temporary changes to reduce misinformation around the U.S. Twitter said user growth had been driven by product improvements and more global conversation from events like the COVID-19 pandemic and the U.S. Twitter said that user growth rates may decrease to "low double digits" beginning in the second quarter. Analysts were expecting 196.5 million, according to IBES data from Refinitiv. In the fourth quarter, Twitter said it had 192 million average monetizable daily active users (mDAU) - its term for the number of daily users who can view ads. Investors are looking past Twitter's miss on user growth because of other positives during the quarter, including higher ad revenue, profitability and revenue guidance that was better than expected, said Hari Srinivasan, senior research analyst at Neuberger Berman. 80% of our audience is outside the United States," he said. ![]() "We are a platform that is obviously much larger than any one topic or any one account. On an earnings call with analysts, CEO Jack Dorsey downplayed any impact from the much-debated January account closures. President Donald Trump following the Capitol riot in January. The social media company has been in the spotlight amid global debates over what is allowed on the site - from its recent refusal to comply with an Indian government directive to block accounts linked to the farmers' protest to its ban on former U.S. The social media company said expenses would rise 25% or more in 2021 but projected that total revenue would grow faster than costs. Shares of the company were up nearly 3% in extended trading, adding to a 11% gain in stock so far this year. Total revenue came in at a record $1.29 billion, an increase of 28% year over year. The solid beat, aided by ad product improvements, convinced investors to overlook a dull forecast for user growth, which Twitter expect to slow down to low double digits this year as a boost from the pandemic fizzles. Feb 9 (Reuters) - Twitter Inc (TWTR.N) on Tuesday beat Wall Street targets for quarterly sales and profit and followed its social media peers to forecast a strong start to 2021 as ad spending rebounds from a rock bottom. Desktime inactivity time out7/14/2023 The “Private time” feature is awesome to get some personal stuff done. Enable the Private time reminder to remember to turn it off Where to find it: Go to your DeskTime account -> Click on one of the blank spaces during your video call -> drag the green sliders to cover the timeframe of the call -> set optional productivity category -> click save.īoost your team’s productivity and efficiency ratings with time tracking! Dragging-and-dropping your offline time in your productivity bar to cover the video call time period.If your personal calendar is separated from your work calendar, you can choose to only connect your work calendar layer). Google Calendar), and select which calendar layer you want to connect (ex. Where to find it: Go to your DeskTime account, then click Settings -> Integrations. The call that was scheduled in your calendar will then fill up all of the little empty slivers of time, and voila, your “barcode” is automatically filled in! Read more here. Integrating your calendar with DeskTime.It turns out, there are two solutions: The solution? But that meticulous data entry just isn’t productive. To fill them in I’d have to click on each one to add what I was doing during that idle time so that it accurately reflects my day’s productivity levels. It’s not that I wasn’t working, it’s just that the nature of the work didn’t require computer activity. One thing I’ve noticed since moving to a remote work environment, is that during virtual calls, when I’m not constantly touching the computer, I end up with a sort of “barcode” effect on my DeskTime productivity bar, with tiny little slivers of inactive/idle time. How to avoid the “barcode” effect from virtual meetings Where to find it: At the top right of Mac screens in the menu bar 3. Turns out it’s more specific than that – it represents productive time spent at the computer during work hours.Īnd the circle represents the amount of minimal hours set. I used to think that it represented time spent at the computer. ![]() ![]() That filling circle that Macs have on the desktop? (sorry Windows peeps, this one isn’t for you) That filling circle represents productive time Where to find it: on the desktop app by clicking on the DeskTime icon – for Macs it’s at the top right of your screen in the menu bar, for Windows it’s at the bottom right, and looks like the DeskTime logo. ![]() However if there are multiple people using the same desktop, I can see how “Logout” could be useful. Since I’m the only person using my computer, now I only use “Quit”.
Liveprofessor x327/14/2023 ![]() In the digital world, the latency comes from conversions from Analog to Digital (A/D) and from Digital to Analog (D/A). Behringer X32 In/Out Latencyįirst off when we are talking about latency, what are we really talking about? In the Analog world, latency wasn’t as much of a problem because our audio would pass through a bunch of resistors, capacitors, and potentiometers (aka nothing that will delay the audio). I wanted to do some latency testing with the Waves X-WSG & Waves SoundGrid to see how much delay using this system will add to the Behringer X32 & Midas M32. If the x32 module was doing the same then this would likely have collision issues as they would work on the same port ranges.If you didn’t see last week’s post, go check it out! I have teamed up with Waves and it is pretty exciting!Īs always I love really diving into the nitty gritty details of how things work. is avoiding duplicate issues by applying an offset. Even if the commented out config s restored, it requires the user to manage ports themselves. Is currently using a hardcoded port, causing a second instance to fail. ![]() Should we change it and log an error, or provide a button for the user to trigger getting new ports?Īlso, a closer eye should be kept on how the local ports are chosen to ensure modules dont have issues like these. Q) how should we handle a reserved port being already in use? (eg a program was started before companion that uses 8000, but we previously assigned that to an instance) (We could let the user manually edit these too if we want) The reservations and ports should be shown in a table in the ui for the user. These reservations and the accompanying ports should be constant until the instance is deleted. The chosen ports will get passed into the init function, and another function updatePorts(ports: object): void that instances can implement to be told that its port assignments changed whilst it is enabledĬompanion can then keep track of which instance has what port, and should persist this in the db. This flow is similar to how the config is done currently, so will be familiar to module authors.Ī function getPortRequests(): object describing the ports it wants. I propose we add some new methods for instances to implement. ![]() If you were to disable an instance of a module, and add a new instance, that new instance would likely get the ports the disabled one was just using. Some modules uses a package called get-port to help them choose a free port, but that will only work reliably if every other instance is already running. We need to choose a port that isnt already in use, and reserve it from use by other modules. Option 1 is something that we should simply look out for and ensure that in these cases no localPort is passed to the osc library (like done in behringer-x32) ![]() You need to choose and remember a local port.You don't really care what your local port is (eg, port is not defined in external software/hardware).The problem is that choosing a good port is hard. When modules need to listen on a local port, commonly when using osc, this is often done badly leading to a high chance of issues of a port clash with other software or being unable to use multiple instances of a module.Įg bitfocus/companion-module-audiostrom-liveprofessor#1 Layouteditor sqrt7/14/2023 ![]() Perfect squares, on the other hand, are whole numbers that are the product of other whole numbers. For instance, 25, 36, and 49 are perfect squares because they are 5 2, 6 2, and 7 2, respectively. Perfect square factors are, as you may have guessed, factors that are also perfect squares. To start finding a square root via prime factorization, first, try to reduce your number into its perfect square factors. We want to find the square root of 400 by hand. To begin, we divide the number into perfect square factors. Since 400 is a multiple of 100, we know that it's evenly divisible by 25 - a perfect square. ![]() Quick mental division lets us know that 25 goes into 400 16 times. 16, coincidentally, is also a perfect square. Thus, the perfect square factors of 400 are 25 and 16 because 25 × 16 = 400. ![]() You can also try multiplying different numbers by themselves and see if they give you the correct answer.We would write this as: Sqrt(400) = Sqrt(25 × 16). Let's say you were trying to find the square root of 81-you could multiply 7 by 7 to get 49, which is too low. You could go a little higher and multiply 10 by 10 to get 100, which is too high. You could then go a little lower and multiply 9 by 9. This would give you 81, making 9 your square root.Įstimate, if necessary. With your square root in simplest terms, it's usually fairly easy to get a rough estimate of a numerical answer by guessing the value of any remaining square roots and multiplying through. One way to guide your estimates is to find the perfect squares on either side of the number in your square root. You'll know that the decimal value of the number in your square root is somewhere between these two numbers, so you'll be able to guess in between them. Dv tapedeck7/14/2023 If for some reason you can't view your timeline on your external monitor, there are a few things to try:ġ) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.Ģ) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.ģ) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.Ĥ) Click in the % box above the image and select FIT TO WINDOW. Audio inputs: The units have a 3.5mm jack for headphones and earbuds. Techinially, this should send synched video to your TV Video resolution: The mini DV tape decks record in up to 4K resolution. ![]() ![]() Video playback should be Apple firewire NTSC (If you are using an NTSC set)Īudio playback should be Audio follows Video Then go View > External video > all frames ![]() Then start up your camera and tv, then open fcp. Canon XL2 Pro Camcorder Mini DV Tape Deck With Hard Case STICKY GRIP JB 2057-Opens in a new window or tab. Whats more, any video stored on magnetic tape (such as VHS, Video8 and Hi8) has a limited life span and deteriorates over time. Make sure your camera is getting a signal.Ī simple path is mac > firewire > camera or deck > rca cables > tv Julius fragger7/14/2023 ![]() 5 6 2 4 – 17 Scoring – BFA: Abby Eucker 10, Hannah Kuhn 5, Natalie Bertrand 4 Schweinfurt: Tricia Valverde 5, Maria Maiko 4, Morgan Shreve 3. Noteworthy – Bitburg’s Brandy Oliver led all rebounders with 11 AFNORTH leaders on the boards included Soto (7), Karsen Baird (5) and Cherry Carnes (4).īlack Forest Academy 30, Schweinfurt 17 Friday at Schweinfurt BFA. 6 13 4 2 – 25 Scoring – Bitburg: Brianna Lackey 17, Atyia Brigman 15, Michelle Morrison 8 AFNORTH: Madison Puckett 11, Jena Solorzano 6, Keylee Soto 5. Girls Non-regionBitburg 54, AFNORTH 25 Saturday at AFNORTH Bitburg. 15 15 10 21 - 62 Scoring - Vicenza: Richardson 31, Mario Molino 12, Schaefer 10 AOSR: Cook 20, Erez Omry 16. Vicenza 62, AOSR 45 Saturday at Vicenza AOSR. 12 18 8 21 - 59 Scoring - Vicenza: Terell Gandy 20, Derrick Schaefer 16, LaScott Richardson 12 AOSR: Colin Cook 27, Juho Kim 7. Vicenza 59, AOSR 48 Friday at Vicenza AOSR. 17 6 13 15 – 51 Scoring – Marymount: Nour 15, Giorgio Musilli 6, Castelluccio 3 Aviano: Marcus Brown 16, Erskine 10, Bert 10. ![]() 8 23 15 20 – 66 Scoring – Marymount: Ziyad Nour 15, Michael Castelluccio 9 Aviano: Jamal Thomas 14, Zack Erskine 13, Andrew Bert 13.Īviano 51, Marymount 29 Saturday at Marymount Marymount. Region IV Aviano 66, Marymount 29 Friday at Marymount Marymount. Noteworthy – Johnson grabbed 12 rebounds and German added 6 for Patch. 28 19 14 16 - 77 Scoring – Vilseck: Campbell 16, Rashad Adams 10, Kiner 10 Patch: Robinson 25, Brendan Jones 17, Kris German 17. Patch 77, Vilseck 61 Saturday at Patch Vilseck. Noteworthy – Leading rebounders included Julius (10), Kiner (6), Campbell (4), German (4) and Patch’s Michael Johnson (4). 26 20 19 14 – 79 Scoring – Vilseck: Carlton Campbell 14, Joey Julius 12, John Kiner 8 Patch: John Robinson 23, Kris German 21, CJ Ferguson 11. Region III Patch 79, Vilseck 55 Friday at Patch Vilseck. |